Sylvain Herbin
Layered ceramic anterior arch with gingival work

Dental Ceramist — Dental Technician · 26 years in the trade

Sylvain Herbin

Dental Ceramist — Dental Technician


Esthetic layering, full-arch implant restoration and hyper-realistic characterization. Every unit is treated as a one-off piece.

Trained and practised in France · Former laboratory manager · Relocation to New Brunswick in preparation

See the work

Approach

Light before form.

A crown that works is a crown nobody notices. Everything happens in the way light travels through the ceramic: the cervical-to-incisal gradient, the translucency of the incisal edge, the surface texture that catches or scatters it.

Shade analysis, layer-by-layer build-up, characterization and texture matched to the patient — the same standard on a single unit as on a full implant-supported arch.

Training

  • Vocational diploma in dental prosthetics — FranceWork-study programme, bench and theory
  • Advanced vocational certificate in dental prosthetics — FranceSenior qualification of the trade
  • In the trade since the age of 16, practised in France and CorsicaIncluding several years managing a laboratory
26Years in the trade
FranceTraining and practice
FR / ENFrench and English

Selected work

Selected work

Ceramics, composite, implantology and telescopic prosthetics — a selection of representative cases, made at the bench.

Initial situation: worn dentition, collapsed smile line
Before
After treatment: smile line restored
After

Clinical case · Before / After

Restoring the smile line

Worn dentition, collapsed incisal edges and an asymmetric incisal plane. The smile line was rebuilt in full — length, incisal curve and volume returned to the mouth — with a shade and surface texture that still read as a natural dentition.

Before: discoloured provisional crown on the central incisor
Before
After: layered ceramic on zirconia, integrated with the natural teeth
After

Clinical case · Before / After

Single unit — from provisional to ceramic

A discoloured provisional on the central incisor, shorter and yellower than its neighbour. The layered ceramic on zirconia that replaces it takes back the shade, the length and the relief of the adjacent natural teeth — the single unit that has to disappear, the most demanding exercise in layering.

Screw-retained full-arch bridge — full zirconia

Zirconia · Implant

Screw-retained full-arch bridge — full zirconia

Screw-retained full-arch bridge on a metal framework: full-zirconia crowns with layered composite gingiva. Faithful mimicry of a mature dentition — occlusal wear, intrinsic staining and gingival recession.

Screw-retained posterior bridge — three units

Zirconia · Posterior

Screw-retained posterior bridge — three units

Screw-retained implant bridge in the posterior sector: sculpted occlusal morphology, stained grooves and reproduced wear. Access channels are worked into the relief rather than drilled straight through it.

Milled bar on multi-unit abutments

Milled bar · Implant

Milled bar on multi-unit abutments

High-precision milled bar on multi-unit abutments — correcting divergent implant axes, with a calculated taper on every surface: the prosthesis seats fully and is retained by friction alone.

Telescopic prosthesis: bar and intaglio surface

Telescopic prosthesis

Telescopic prosthesis: bar and intaglio surface

Paired view of the bar seated on the model and the milled intaglio surface of the prosthesis — the precision fit provides friction retention with no mechanical attachment.

Occlusal view — complete prosthesis on bar

Set-up · Gingival work

Occlusal view — complete prosthesis on bar

Integration of the telescopic structure, tooth set-up and gingival work — balancing removable-fixed retention with a natural appearance.

Complete rehabilitation on an Ackermann bar

Ackermann bar · Implant

Complete rehabilitation on an Ackermann bar

Screw-retained bar on four implants with a complete composite prosthesis: the intaglio surface houses the retention clips, and the layered gingiva compensates for bone loss. A stabilised removable solution, lighter than a full-zirconia arch.

Anterior layering

Ceramics · Anterior

Anterior layering

Cervical-to-incisal gradient, incisal edge translucency and surface texture — the interplay of light that defines fine layering. Opalescent masses laid into the incisal third return blue in reflected light and amber in transmitted light, exactly as natural enamel does.

Ceramo-metallic bridge — extended anterior sector

Ceramo-metallic · Anterior

Ceramo-metallic bridge — extended anterior sector

Layering on a metal framework with pronounced texture work: growth striations, marked lobes and surface states that break the light. A smooth surface returns a uniform reflection and gives the restoration away; texture is what makes it disappear.

Sectional model — occlusal detail

Occlusal morphology

Sectional model — occlusal detail

Sculpted occlusal morphology, simulated restorations and controlled ageing, with an implant-supported unit integrated into the arch.

Demonstration model — lateral view

Implant · Integration

Demonstration model — lateral view

The same set-up seen from the side: the implant-supported crown sits among natural teeth with their roots exposed. Form, shade and surface texture tuned to the arch — the prosthetic unit no longer stands apart from its neighbours.

Dental anatomy — sculpted units

Waxing · Fundamentals

Dental anatomy — sculpted units

Individual teeth waxed with their roots — the technician's foundational discipline: complete command of form.

Medusa mask in yellow gold set with two rubies

Beyond the laboratory

The same hand, another metal.

Medusa mask in yellow gold, two rubies set into the eyes. Wax modelling, lost-wax casting, stone setting: the same gestures that produce a metal framework or a milled bar. Ceramic is laid onto a form — the form still has to be sculpted.

Scope of practice

What I make

Three families of work, from the single unit to the complete implant-supported arch. Every piece shown above comes from one of them.

01

Per-unit layering

Ceramic or composite, on copings you supply. Shade analysis, layer-by-layer build-up and surface texture matched to the patient.

02

Characterization and staining

Internal staining, craze lines, discolorations, occlusal wear — custom esthetic integration, including mature dentitions.

03

Implant prosthetics — every type

Screw-retained, Ackermann bar, milled bar and telescopic prosthesis, hybrid or full arch: I cover the whole range of implant-supported solutions, from single units to full-arch cases.

White labelWork made for a laboratory goes out under its name. No contact with its clinician clients, no mention of my name on its deliveries — the condition for subcontracting that everyone can live with.
Skills that have become rareMilled bars, Ackermann bars, friction-retained telescopic prostheses: techniques few benches still practise, and that digital design has not replaced.

The project

An esthetic subcontracting practice in New Brunswick.

I am preparing to settle in New Brunswick, where my family lives, to work as an independent ceramist for Canadian dental laboratories. The principle: they keep the design, the milling and their client relationship; I take on the esthetic portion — the work that determines how the restoration integrates in the mouth. New Brunswick will be the starting point, with Quebec and Nova Scotia as the project's natural extension.

This site presents my work. It does not yet announce a service: immigration procedures are under way and the bench is still to be set up. Laboratories interested in the project are welcome to write now — a conversation beforehand is worth more than a cold call on the day I arrive.

Contact

Let's talk.

You run a laboratory and some cases have no taker — a milled bar, a telescopic prosthesis, a demanding anterior nobody wants to layer anymore? Describe that case: it is the best way to start the conversation.

sylvain@sylvainherbin.ca

Currently in France · Relocation to New Brunswick in preparation
Correspondence in French and English